"I'm on the road with one now. I LOVE IT! Thanks Bro. Let's jam some time."
Kubek, with his staggering arsenal of instruments, effects and technique, delivers a frenzied, flame-throwing guitar display that is tempered by the remarkable accompaniment of Bnois King's jazz influenced guitar. Kubek, coming from the blazing Texas blues/rock background, found in Bnois King's smooth jazz guitar stylings a finesse and fat chord sound that was a perfect complement to his technique. The combination just clicked with a seamless mesh of styles. King lays down a bed of smooth supporting jazz chords on his hollow bodied Gibson that allows Kubek to take center stage and play with almost reckless abandon. Together this dynamic duo has recorded 7 albums for Bullseye Blues & Jazz Records.
Muscling his way through the proceedings both live and on disc, Kubek will pull, bend, pick, and push his strings well beyond what you'd think they'd normally endure as he runs through his and King's songs. Using Hendrix-style crybaby wah-wah leads and ear-bleeding, Johnny Winter-meets-Elmore James slide work on songs such as the title/leadoff cut and the shuffling "She's It," he brings things to a boiling point with screeching and shimmering lines that rattle speaker cones and make the fillings in your teeth vibrate. Then, applying the brakes, he runs through some of the sweetest, most beautiful slow blues on "I'm Here for You" and "Cryin' By Myself" with shimmering high notes, hanging in the air above heavy turnarounds. Throughout, King (no relation to Freddie) will comp along on his Gibson, shout lyrics, and, in general, make the whole package complete.